Apartment Development Pushing Out Creative Warehouse Spaces in Melbourne, Diminishing Dissemination of Communist Propaganda

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Transdipographic art produced by Hakeem Ng, signifying the phrenological relationship between kineticesiastic plurality and utter s—.

The XYZ has gained exclusive access to information that artists across Melbourne are ‘deeply concerned’ that the city’s booming construction industry is putting pressure on struggling artists, who are finding it harder and harder to find abandoned warehouses in the inner city in which to do art which nobody likes. An industry insider spoke to The XYZ on condition that we buy them lunch:

‘We think it’s great that Cultural Marxist art, music, dance, plays, etc, over the last half a century has helped nurture a world in which white people are so taxed and demoralised that they stop reproducing themselves at replacement levels, and our economies are based so thoroughly on debt and fiat currency-fuelled fake growth that we have to import millions of people from the third world who hate everything we stand for in order to prop it up.

‘But one of the unforeseen consequences of this has been that the Multicultural Melbourne housing market has experienced an unsustainable bubble, and developers have strong incentives to turn the abandoned factories and warehouses, which our support for union-friendly policies had helped to decimate, into apartments. This means that our often-illegal access to cheap, open urban spaces in which we can produce more communist propaganda has been severely limited.

‘This will disproportionately affect the very young, whom we have worked tireless to proselytise with degenerate art, particularly as we generally have few children of our own, and thus need access to other people’s offspring if we are to corrupt future populations. If this trend of urban renewal continues, we worry that young people’s exposure to art forms which subvert the highest pinnacles of Western culture will be reduced. Seriously, won’t somebody think of the children?

‘It is for this reason that we are emotionally blackmailing, sorry, lobbying the state government to restrict the development of apartments in the inner city. The way we see it, we understand that nobody actually wants to listen to music which deliberately avoids melody, and performance art which literally involves peeing in a cup. (We also acknowledge that the people who developed these breakthroughs deliberately wanted to remove the bourgeoise notion of “enjoyment” from art so that we could advance a deeper understanding of the Marxist dialectic).

‘So obviously, without stealing from productive people, I mean, government support, in the form of direct Centrelink payments and in community arts grants, music and art which nobody is interested in would die out. Restricting property rights, I mean, reasonable industry regulation, is an obvious logical next step from said wealth redistribution. Such policies would be another step in bringing about the kind of totalitarian socialist nightmare of which most artists fantasise.

‘We believe this is far preferable to creating art which people may actually be interested in, and making a profit. The out-grouping from fellow artists calling us sell-outs would be utterly unbearable.

‘Finally, we think it is time to conduct a national conversation on why it is important to steal from people to fund art that nobody likes. The white race isn’t going to exterminate itself! The fact that we are not talking about this shows just how far we, as a country, have to go.’

It’s your XYZ.

Photo by geckzilla Photo by cliff1066™

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David Hiscox
David has studied history and political science at Melbourne University. His thesis was written on how the utilisation of Missile Defence can help to achieve nuclear disarmament. His interest in history was piqued by playing a flight simulator computer game about the Battle of Britain, and he hopes to one day siphon the earnings from his political writings into funding the greatest prog-rock concept album the world has ever seen.
  • Gregoryno6

    “Yes, I could my shoe-nailed-to-a-floorboard masterpieces in my dad’s shed – but seriously, my folks live in Mitcham. Where’s the artistic integrity in art made in the suburbs?”

  • Sadsak

    A case of the Emperor has no clothes.Blame your own generation for not calling it as it is.

  • Karen Dwyer

    David, this must be one of those articles of which you are proudest …

    • David Hiscox

      You guessed it 🙂

  • Addelad

    Was it always thus – by which I mean, did the arts always attract degenerates? Obviously not, so why the symbiosis today? Does it speak of a society in total decay where those possessed of an interest in esoteric interpretations are, of necessity, perverted and misanthropic?

    • Gregoryno6

      Just my theory, but social/technological changes over the last 100-150 years have given a lot more people a lot more free time. And most people fancy themselves as having ‘talent’ of some sort. However, most also learn fairly quickly that talent is nothing without dedication and discipline. And a preparedness to sacrifice the luxuuries that a regular wage can provide.
      The artistic asipirations are set aside – except in a few cases where the urge to be a ‘creative’ is actually the urge to be ‘somebody’. And those are the people who produce the rubbish that gets attention. I didn’t say praise, or respect, please not. I said attention.

      • Addelad

        That is an interesting and probably quite valid observation. My initial posting was a genuine open question – that is, I have no inner conviction re the possible answers.

      • “Celebrities” come to mind. They produce nothing of note, nothing that will last generations or trigger deep thought.

  • If only those street artists might produce something like this:attached:

    “Marie Leszczyńska, daughter of Polish King Stanislas Leszczyński, was the wife of Louis XV, King of France. This portrait is an example of the famous painting by Jean-Marc Nattier.”

    https://uploads.disquscdn.com/images/a8d73093987d2d952797214e468c7c7f7b80e2e4c709a2b55fbb9960a238b092.jpg

  • Dom Inic

    Great job. I think Bill Leak remarked that satire it is getting more and more difficult to pull off because the left is so retarded and crazy the real comedy in just watching reality. Seriously though I think it is a golden age for revolutionary young artists to find a career in pointing out the hypocrisy and foolishness in this age of stupid.

    • Ray Johnston

      The only one I can think of that really pulls it off is the LA street artist Sabo at unsavoryagents.com
      For a quickie, just google images him and scroll down slowly or check out his interview with Tucker Carlson on his website.

  • Deplorable Steve

    What??? Diminishing space??? Where am I to create my talented masterpieces such as ‘The Defecating Stick’ and ‘A Pool of Piss’???

    • Salome

      The smallest room in the house.

    • DS.
      I suggest you urgently apply to Australian Council for the Arts.
      http://www.australiacouncil.gov.au/funding/how-to-apply/

      They may be able to grant you some cash or an endowment, so that you may complete your greatest creations, such as your afore mentioned:
      “Defecating Stick and Pool of Piss.”
      Good luck.
      *Perhaps mention you are part Aboriginal or a refugee: bonus points/ extra $$$$.

    • Gregoryno6

      Council for the Arts, definitely. Didn’t they put money into that show where actors crapped into glass bowls on stage?